Wednesday, November 11, 2009

Genuine mimicry of an American genre

Remember when Godzilla first showed up using – despite zoom-in and zoom-out camera tricks - what looked like a doll knocking over the old Kener toy buildings with that classic howl? Then all those sequals, Destroy All Monsters, Mothra, King Kong versus Godzilla and Rodan?

I don’t remember reading or hearing anything involving a read-between-the lines commentary on Japan’s relationship with America nor Godzilla as a subtle message to American global theology.

If you are a reader and willing to consider the length and depth of a long essay, I recommend the essay linked below regarding a recognized and awarded Korean Film that came out in 2006 entitled The Host.

The dangers of biosecurity: The Host and the geopolitics of outbreak 

The Host blurs the distinction between the monster and the society it ravages. From its inception the movie asks: Isn’t South Korea playing host, arguably against the interests of its citizenry, to the U.S. military and to foreign investors who have no interest in the nation’s social fabric?"

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